2011第十三屆台北電影節Taipei Film Festival

  百萬首獎 Grand Prize（並列）  

《沈ㄕㄣˇ沒ㄇㄟˊ之島》TAIVALU

 黃信堯 HUANG Hsin-Yao

得獎理由 Jury’s Statement：

既有自省與反思的觀點，同時兼具睿智與道德性的批判，身為一個台灣紀錄片工作者，評審團高度肯定導演處理真實世界與影像呈現之間那種獨特且不凡的能力。
Autocriticism, reflexivity, sanity and ethic, in Taivalu, the jury indentifies HUANG HsiYao's particular and unusual ability in Taiwanese documentary to dialogue with reality and images as a today filmmaker.

《爸爸節的禮物-小林滅村事件首部曲》A GIFT FOR FATHER’S DAY – THE TRAGEDY OF HSIAOLIN VILLAGE PART 1

羅興階LO Shin-Chieh∕王秀齡WANG Hsiu-Ling 

得獎理由 Jury’s Statement：

此作呈現小林滅村與重建的過程和爭議，材料豐實，節奏俐落，批判觀點冷凝，不假人造情緒，乃此類題材之紀錄片的一個傑出典範。 
The film successfully portrays the course and disputes of the Hsiaolin Village's destruction and rebirth. It is rich in context with precise steps and yet free from false emotions. This is an extraordinary example of documentary filmmaking.

 最佳劇情長片 Best Narrative Feature  

《當愛來的時候》WHEN LOVE COMES

張作驥Chang Tso Chi

得獎理由 Jury’s Statement：

這是一部形式穩健、情感豐沛的傑作。宛如真實家族的精彩演員，在導演流暢細膩的調度下，見證了生命的循環與潛力。
A masterwork of solid structure enriched with passion. The excellent performances of the actors combined with the director's skillful arrangement are a representation of the cycle and potential of life.   

 最佳紀錄片 Best Documentary（並列）

《沈ㄕㄣˇ沒ㄇㄟˊ之島》TAIVALU

黃信堯 HUANG Hsin-Yao

得獎理由 Jury’s Statement：

既有自省與反思的觀點，同時兼具睿智與道德性的批判，身為一個台灣紀錄片工作者，評審團高度肯定導演處理真實世界與影像呈現之間那種獨特且不凡的能力。
Autocriticism, reflexivity, sanity and ethic, in Taivalu, the jury indentifies HUANG HsiYao's particular and unusual ability in Taiwanese documentary to dialogue with reality and images as a today filmmaker.

《爸爸節的禮物-小林滅村事件首部曲》A GIFT FOR FATHER’S DAY – THE TRAGEDY OF HSIAOLIN VILLAGE PART 1

羅興階LO Shin-Chieh∕王秀齡WANG Hsiu-Ling 

得獎理由 Jury’s Statement：

此作呈現小林滅村與重建的過程和爭議，材料豐實，節奏俐落，批判觀點冷凝，不假人造情緒，乃此類題材之紀錄片的一個傑出典範。 
The film successfully portrays the course and disputes of the Hsiaolin Village's destruction and rebirth. It is rich in context with precise steps and yet free from false emotions. This is an extraordinary example of documentary filmmaking.

 最佳短片 Best Short

《下落村的來電》THE BLACKOUT VILLAGE
王威人WANG Ui-Lin

得獎理由 Jury’s Statement：

《下落村的來電》是一部篇幅短小的敘事精品，飽滿、複雜、動人又饒富趣味，導演擁有將寫實與魔幻融為一體的出色能力。
Wang Ui-lin's BLACKOUT VILLAGE is a miniature narrative jewel: Dense, complex, touching, and funny. The director's rich personal vision brilliantly combines social realism and fantasy.  

最佳動畫片  Best Animation

《彼岸》THE OTHER SIDE
陳秋苓CHEN Chou-Lin

得獎理由 Jury’s Statement：

運用大量台灣庶民生活中常見的民俗意象，將繁雜的元素，有思維、有加工地程序化、圖案化，元素取之世俗，卻又不世俗地融合，形成一種既不寫實、又不抽象的獨特氛圍。
The Other Side utilizes folk images commonly seen in the Taiwanese daily lives. Complex and common elements are retreated and blended into the images to form a unique atmosphere of the unreal and un-abstract.  

 最佳導演獎 Best Director  

陳宏一Chen Hung-I

《消失打看》HONEY PUPU 

得獎理由 Jury’s Statement：

陳宏一選擇以炫目的技巧與寫實的詩意，詮釋年輕世代的網路文化；並在審慎的思維之下，混合視覺藝術上的大膽嘗試，呈現所謂的「當代性」，同時型塑出一個嶄新的台北都會文化與一部與眾不同的台灣電影。 
Chen Hungi portrays youth internet culture with dazzling artifice and real poetry. He integrates virtuoso visual bravado with a serious and thoughtful take on temporality and contemporaneity: a bold new vision for Taipei urban culture and Taiwan cinema.

最佳編劇獎  Best Screenplay

張作驥Chang Tso-Chi

《當愛來的時候》WHEN LOVE COMES

得獎理由 Jury’s Statement：

看似寫實的家庭故事，卻有對照精巧的劇本結構，不帶匠氣地替每個成員設計出層次分明的性格面貌，可信又感人。
A seemingly realistic family story outlined by a delicate scriptwriting structure which grants every family member a defined personality, truthfully and lovingly. 

 最佳男演員獎 Best Actor

吳朋奉Wu Pong-Fong
《歸．途》RANGER 

得獎理由 Jury’s Statement：

吳朋奉的表演具有良好的節奏感，動靜分明，又極具爆炸力，在《歸途》裡詮釋的阿勝一角，以獨特的渲染力貫穿全片，得獎實至名歸。
WU Pongfong acts with rhythm. He can be both quiet and energetic, even to the extent of being explosive. His role in Ranger empowers the entire film with a unique touch. He justly deserves the award.  

 最佳女演員獎 Best Actress

謝欣穎 Nikki Hsieh

《命運化妝師》MAKE UP
《消失打看》HONEY PUPU

 得獎理由 Jury’s Statement：

兩部風格迴異的電影，兩個截然不同的角色，一主一配，謝欣穎都表現得從容自若，角色不同狀態的把握，肢體語言的流麗，再次証明她是新生代演員中，潛力無窮的一位。
Two films of entirely different styles and two roles of entirely different personalities. Nikki performed with ease both as a lead role and supporting actress. For both roles, she is smooth and poised. She once again proves herself to be a young generation performer of great potential.

 最佳男配角獎 Best Supporting Actor

柯宇綸Lawrence Ko
《翻滾吧！阿信》JUMP ASHIN!

得獎理由 Jury’s Statement：

在《翻滾吧!阿信》中的「菜脯」，是一個既有深度又極具挑戰性的角色，柯宇綸以精湛且細膩的刻劃，獲得全數評審的一致認同。
Lawrence's role in Jump!Ashin is a very challenging role with great depth. His performance is fully recognized by all jury members with such a clever and sophisticated interpretation of the role. 

   最佳女配角獎 Best Supporting Actress

何子華He Zihua

《當愛來的時候》WHEN LOVE COMES

得獎理由 Jury’s Statement：

何子華在《當愛來的時候》裡的每一場戲，都做出了細膩、自然且精準的演出，無論就表演本身或角色的重要性來看，她都有著不可或缺的關鍵位置。
In When Love Comes, He Zihua brings into each scene she plays in a delicate, natural and precise acting that makes indispensable the presence of both the mother as a character and the actress in the narrative.  

最佳新演員獎 Best New Talent

李亦捷Li Yi-Jie

《當愛來的時候》WHEN LOVE COMES

得獎理由 Jury’s Statement：

從少女角色的張揚放任，到懷孕的慌張無助，到自我認知，體會世事多變及親情的重要，掌握的層次分明，令人眼前一亮。
From the wild and uncontrolled young girl to the helpless pregnant woman, to self-recognition, and to the appreciation of families ties. Yijie instills in her role a clean and accurate presentation that opens up the eyes. 

最佳攝影獎  Best Cinematography

余靜萍Fisher Yu
《消失打看》HONEY PUPU

得獎理由 Jury’s Statement：

把時下年輕人snapshot(快照)的視覺風尚，結合lomo般的色彩調配與手持拍攝的浪漫即興，突破了傳統攝影對電影感的要求與成規，把觀眾帶到虛擬的新宇宙。影像流麗脫俗，讓人秒秒驚喜。
The photography brings together the visual fashion of snapshots with a color style similar to lomography and the romantic improvisation of handheld cameras. The conventional rules of photography in movies are broken. The audience is taken to a new horizon of refreshing images in every second. 

   最佳剪輯獎 Best Editing

林暐智Wei-Chih Lin∕柯孟融Meng-Rong Ko

《那一夜的正義》MY BUDDIES

得獎理由 Jury’s Statement：

短片的剪接師好比短跑選手，每個動作必須精準有力，容不了毫釐差誤。《那一夜的正義》的剪接風格，就像它的故事內容一樣，手起刀落，讓人感到一下子凝氣屏息，一下子卻洶湧澎湃，血脈奔流。
Editors of short features are like runners who compete in 100 meter sprints. They have to be punctual and exact, no room for any mistake. The editing in My Buddies is like the story itself. It is breathtakingly tense in one minute and adrenaline pumping in the next.

最佳音樂獎  Best Music

張午午Wu-Wu Chang
《消失打看》HONEY PUPU

得獎理由 Jury’s Statement：

傑出電影配樂的魅力，是在與影像完美結合的同時又能脫離影像而經得起單獨聆聽。張午午之所以脫穎而出，是因為他在《消失打看》中的表現，比其他優秀的入圍者更接近這個境界。
The charm of outstanding movie soundtracks lies in the prospect of combining the music perfectly with the images while withstanding the challenge of being listened to without the images. CHANG was outstanding because his performance in Honey Pupu came closer to that level than the other candidates. 

最佳藝術設計獎  Best Art Design

曾嘉琪Chia-Chi Tseng
《飛魚》LIBANGBANG

得獎理由 Jury’s Statement：

濃烈卻又簡潔的藝術風格，讓整體視覺效果質樸而微妙，單純而蘊含無窮，充分展現主題內在生命力的流動。
Artistically concise and strong with simple yet delicate visual effect. Pure but with unlimited possibilities that fully demonstrated the internal flow of life. 

 媒體推薦獎 Media’s Choice Award（並列）

《翻滾吧！阿信》JUMP ASHIN!

林育賢LIN Yu-Hsien

《尋找背海的人》THE MAN BEHIND THE BOOK

林靖傑LIN Jing-Jie 

 觀眾票選獎 Audience’s Choice Award

《翻滾吧！阿信》JUMP ASHIN! 

 林育賢LIN Yu-Hsien

 卓越貢獻獎 Outstanding Contribution Award

李幼鸚鵡鵪鶉 Alphonse Perroquet/Parrot Caille/Quail Youth-Leigh